Category: Writing
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Communicating Memory: Hong Kong in Venice
In this article for M+ Magazine, I analyzed the exhibition, Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, through the theoretical lens of communicative memory. Read more
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Recipes for Instant Relief
Contributed to the independent zine, Recipes for Relief, published by Ning-Ning. The first edition was printed by Gwo Bean collective at their Yau Ma Tei studio in Hong Kong, November 2022. Read more.
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Up Close: Oum Jeongsoon
In Issue 134 of ArtAsiaPacific, I visited Oum Jeongsoon’s tactile sculptures Elephant Without a Trunk (2022) at “soft and weak like water,” Gwangju Biennale. Read the full article here.
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Book review: Internationalist Aesthetics
In the ArtAsiaPacific Issue 133, I review Internationalist Aesthetics: China and Early Soviet Culture (2021) by Edward Tyerman. Read the full review here.
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Up Close: Brook Hsu
In Issue 133 of ArtAsiaPacific, I take a closer look at Taiwanese-American artist Brook Hsu’s solo presentation at Sant’Andrea de Scaphis in Rome, Italy. Read the full article here.
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İnci Eviner: Movements for the interstitial body
In November 2022, I had an opportunity to attend Turkish artist Inci Eviner’s solo exhibition “Houris and Travelers” at Dirimart in Istanbul. In this “Where I Work” article, I detail my visit to Eviner’s studio. Read more.
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Review: Pipilotti Rist’s “Behind Your Eyelid”
“Behind Your Eyelid,” presented by Tai Kwun Contemporary, was Pipilotti Rist’s first solo exhibition in Hong Kong. Comprising more than 45 works from the Swiss media artist’s three-decade-plus career, the show promised to be the hottest Instagram spot for the city’s summer, with the visual spectacle that one expects from a ticketed blockbuster exhibition. Read…
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Measuring Frequencies: Oscar Murillo’s Use of Artificial Intelligence
In September, I had the opportunity to attend the opening of Colombian-born, London-based artist Oscar Murillo’s solo exhibition “A Storm is Blowing from Paradise” in Venice, Italy. During the opening weekend, the artist brought up a curious detail. Read more.
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Review: Haegue Yang’s “Sonic Rescue Ropes”
In my first review for ArtAsiaPacific, I had the opportunity to sit down with the South Korean artist Haegue Yang when she visited Hong Kong this summer.
TIFFANY F. LUK 